Mascots in a movie theater

This was a fun lighting setup to do for the cover of a college football special section for The Spokesman-Review newspaper I work for. It was a chore for my photo editor to find the perfect time where all three local colleges mascots’ could be available for the photo shoot. Once they arrived at a local movie theater, all three went into mascot mode–where they didn’t speak. It took some patience on my part the get them all to settle down and into the front row seats. Popcorn was all over the place after one mascot started to throw kernels at the rival mascot.

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The projector room light was too high to use, so I placed a Profoto wireless  B1 head with a blue gel at the top row of the seats.  My key light was placed camera left, with a B1 wireless strobe head and a Westcott Switch 3-foot Rapidbox. One more light, a Profoto B2 head and 1 x 3 foot strip light with a soft grid, was placed about four rows back at camera left. This helped add some needed separation light behind the subjects

MASCOTSAfter the shoot, the scene descended into madness as a bucket of popcorn ended up on the head of the one of the Mascots. I  kept shooting and the moment ended up being used in the table of content page.

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 Settings: Nikon D850; Nikon 24-70mm 2.8 lens at f/3.5; 1/160th of a sec. at ISO 400. White balance set to 5200 Kelvin.

Three strobes and a magenta gel

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My assignment was to shoot Rich Zack, an entomology professor at Washington State University. Arriving at the lab, where 3.1 million insects are stored, I quickly made the decision to use my Godox wireless strobe kit to light the professor. The ambient light was fluorescent and murky–you know, like every entomology lab ever!

I started with positioning the professor between a row of bug storage cabinets. I placed a speedlight 10-feet behind and used a Magsphere on my key light and handheld it. I was not happy with the photo. It just didn’t work to my liking.

While the professor went off to be interviewed for the story, I explored the lab. In the back, I found a better space to work. I quickly surmised that I needed to add some color as the lab was as drab as they come. I placed a Godox AD200 wireless strobe with a magenta gel far in the background on camera left. I didn’t have any other lightstands, so I enlisted the help of the university media flack to hold my key light, with a Westcott 26-inch octabox (with soft grid) attached positioned on camera right. For my third light, I had the reporter aim a rim light (a Godox 860 II with a Maggrid) at his shoulders. I shot a test frame on TTL, then made adjustments to each speedlight’s exposure.

The great feature of these lights is that I can set each on its own group. Then from my on-camera controller, dial in each strobe to my liking.

Nikon D850 1/250 F/4/ ISO 125

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